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Egyptians loved life on earth so much that they wanted to take his pleasure in the after-world. They believed that the rich and powerful (at least) were able to take the pleasures of life with them through the positioning in the royal tombs, the pyramids. Throughout the dynasties of ancient Egypt, the role of the tomb and accompanying architecture, sculpture and painting have worked to ensure that the Egyptians were prepared to enter the afterlife with all the worldly goods they needed.

Role of Art
The majority of Egyptian art and painting was done for the good of the dead. At first items such as jewelry, animals (cats, for example), food and other essential tools and treasures were stored inside the tombs. The discovery of cache of King Tut’s has brought the issue to the forefront for those of the Western world thousands of years later, but this practice had been in force for much of ancient Egyptian history.

For the Egyptians who do not want to stock up on the actual items, but still wanted to ensure a happy afterlife, many have chosen painting as a labor-saving and to reduce costs by replacing expensive treasures, sculpture, or carving stone. The painting was not merely graves. Many rich Egyptians had often painted murals in their homes, in fact richly textured, painting styles. Yet most of the best examples of Egyptian art that remains are the remains of tombs.

Examples of Ancient Art
One of the most important tomb paintings is “Meidum Geese” (2530 BC), who has three majestic bird from the tomb of Nefermaat, son of Sneferu, the first pharaoh of the fourth dynasty. It ‘s just a frieze detail, but it already hints at the vitality and power of Egyptian art.

“Regretting Women” (1370 BC), the tomb of Ramos (a minister who lived under the 18th dynasty of pharaohs 2) depicts the scene of a procession funderal. Although women in the painting is flat, their expressions of distress rather vibrant with emotion.

“Bird scene” (1400 BC), from the tomb of a nobleman in Thebes is a good example of dry fresco, a technique that applies paint in tempera on dry plaster, and echoes once again the importance of nature.

Importance of art
For the ancient Egyptians, was the ‘eternal essence “that mattered, the constant, unchanging reality that they have tried to convey through their art. The art was not meant to reflect the changing nature of the outside world. Although the artists of ancient Egypt have been keen observers of nature, their art and its subjects were created according to strict standardization of forms and symbols.

This is not a reflection of “Primativism”, as is clear from Egyptian art that their technical ability has been enhanced and their understanding of the natural form was smart. Instead, Egyptian art was a direct result of intellectual decisions that have been oriented towards the presentation of an ideal.

For example, in ancient Egyptian art, each topic is indicated by an angle that would make it clearly identifiable on a scale of rank-based (small to large) based on the social hierarchy. The result is a very decorated almost pattern-like.

This focus mainly on the clearly applied to all subjects. In humans, for example, the human head is always in profile, but both eyes are always drawn in front. The figures are depicted in the same way, from small to large, depending on their rank in society. Children are just small adults. As a result, Egyptian art seems to have a flat look, without a hint of perspective, but this was a conscious artistic choice.

Rules of Representation
Full-length figures in Egyptian art of ancient Egypt are organized by the “rule of proportion,” a strict geometric grid system that ensures the exact repetition of an artistic ideal. This was a foolproof system that adjusts the exact distances between body parts (divided into 18 equal units) and placed in relation to items on a grid.

Before you start drawing a figure, the Egyptian artist would create a grid. This can be seen under Egyptian Pharaoh Tuthmosis III “(1450 BC), where the grid remains.

Breaking with tradition
Not only paint Egyptian tombs, who also painted the sculpture, and an extraordinary example is “Head of Nefertitti” (1360 BC), who was a portrait of the wife of Pharaoh Akhenaton. This example of ancient Egyptian art is very unusual, though, because it shows an easing of the rigid conventions that characterized for centuries. It shows a melancholy grace and originality rarely seen.

This break with the traditional art of ancient Egypt did not last. Naturalism and subtlety had no role in ancient Egyptian art, and realism was not important. Instead, this time in history would have remained mysterious set about creating an art that fought for the ideal.

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