Posts tagged face
Located about 42 meters above the River Thames, Tower Bridge walkways shiny blue top have a particular view of the city center to the west along the waterfront to the east and the series of beautiful buildings, old and new, that the line of the river town.
Located in the district of Tower Hamlets, the bridge is not far from the City of London East End enclave and interesting as Brick Lane. Alternatively, a visit to the bridge could be worked into a day to explore further east, where the river bends to surround the Isle of Dogs. There’s the ultra-modern skyscrapers of Canary Wharf and the Millennium Dome curved face, to the regal splendor of the Naval College and the Royal Greenwich Observatory.
Tower Bridge is a triumph of late Victorian engineering and a part of London’s iconic skyline. Sets new standards in the construction of bridges on the combined receiver and extends 61 meters over the suspension bridge over the River Thames and rises far above in elegant form. The immense structure east London has taken eight years, five companies and 432 construction workers for the building, taking its complete form in 1894.
The reasons for the construction of the bridge were somehow lost in modern London, with P playing a decreasing part of life in the capital. London’s maritime past was still a key factor in determining who in the late Victorian age there were no bridges to the east of London Bridge. Concerns about access were shipping soon, however, dependent on the need to provide cross-river pedestrian access to the population expansion in East End of London, making a new bridge to an absolute necessity. The structure has permitted a pedestrian crossing – through the passages above, while the bridge was raised – as well as vessels that allows in and out of the eastern banks of the Thames’ and docks.
Just a stone’s throw, St Paul’s Cathedral is one of many monuments of the history of London that can be watched from the lofty heights of the catwalk. But visiting the bridge is more than a simple overview of the river crossings: the experience can bring visitors to the Tower Bridge Exhibition. Here the history of the construction is explained, including alternative models for the structure, while visitors will also deepen the Victorian Engine Rooms that house the original steam engine was originally used to power the machines that produced the trucks of the bridge. Hydraulics are still used, but is now powered by oil and electricity.
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For something so large, it may seem strange to have a section called ‘discovery’, how could the Sphinx – which is 71 meters high and six feet wide – has never been hidden?
Due to its location in the desert, the Great Sphinx of Giza has spent most of his 5000 years of history buried under huge mounds of sand. Although excavations have been several attempts throughout history, it was not until 1925 that the benchmark has been completely excavated and free of sand.
It was only when the excavation was complete comprehensive modern history of intrigue and fascination with the Sphinx began. It is a love that goes beyond the academic Egyptologists, the Sphinx is one of the most visited monuments in Egypt.
Guardian of the Dead
It is believed – although not definitely known – that the Sphinx sits as a guardian over the Pyramids of Giza. The site, known as the necropolis of Giza, the famous pyramid offers the same name built by Pharaoh Khafre area in 2500 BC. As pyramids are tombs for burial in the first place great dignity, it seems to make sense that the Sphinx was built to guard and would-be thieves graverobbers, a persistent problem in ancient Egyptian times.
However, the exact date or reason for the construction of the Sphinx is relatively unknown. There are many theories, and some scientific study of its possible duration, but nothing specific has ever been fully deducted. Is not mentioned in any form of written record. a general consensus in the modern Egyptology is that the Sphinx is about 5000 years.
If I forgive the terrible pun, it’s time to explore one of the most intriguing aspects of the structure: who owns the face? Most Egyptian architecture and sculpture depicts a specific person – usually the Pharaoh, or a member of the royal dynasty – so it is widely believed that the face of the Sphinx is actually based on a person.
There are many, many theories, from which it would be hard to extrapolate a particular consensus among Egyptologists. Some believe that the face is that of Khafre, who built the Great Pyramid of Giza, while others are equally insistent that the face is to Chephron, the predecessor of Khafre’s. In essence, however, nobody knows.
The other interesting aspect of the face is the nose of the Sphinx, or lack thereof. There are many rumors surrounding the nose of the Sphinx, I realized that it had taken off during the Napoleonic wars, although this is largely thought to be a myth. general consensus suggests that the nose has been dropped or has been hacked off by thieves, some 2,500 years ago.
Considering these basic facts about the Sphinx is unknown, its place in Egyptian history is even more impressive. About 5,000 years after it was built, still stands guard over the tombs designed to keep his secrets to himself.
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The sculptural decoration of the great temple of Athena was eminently worthy of its architecture. Phidias made his name immortal by creating a work that will forever remain a model of Greek sculpture. The subjects, composition, everything was perfectly equal.
The Doric frieze carved in high relief above the exterior colonnade composed of metopes ninety-two: fourteen and thirty-two on each face on each side. Among the few remaining 28 are to be seen in thirteen east, north and one south, but all these are either misleading or so badly disfigured as to be unrecognizable. Fifteen metopes are in London (the others were lost in a shipwreck near Cape Malea is delivered in England) and one in Paris. Those in the east are battles between gods and giants, to the west, between the Athenians and Amazons, south of Lapiths and Centaurs, and the scene north of the siege of Troy.
The timpani in the gables, 28.65 m. in length and 3.45 m. in height, were filled with the best sculpture Phidias’. And on the east pediment represented the birth of Athena, and showed her dressed in full armor, flows from the head of Zeus. On the west pediment was represented the struggle between Athena and Poseidon for the possession of Attica. The two deities occupied the center of the pediment and were shown standing, separated from the olive tree symbolizes the victory of the virgin goddess. Of all these statues, for a total of fifty, almost nothing is left in situ. The vast majority was transported to London by Lord Elgin and are now exhibited in the British Museum, copies can be seen in the Acropolis Museum.
A continuous Ionic frieze 159.70 m. in length and 1 m in height, carved in bas-relief, ran along the top of the outer walls of the naos and represented the ritual procession of officials, high-born young men and women, Athenian citizens and foreign residents, and train animals killed during the Feast of the Greater Panathenaic, which is held every four years.
The start of the procession is shown in the southwest corner of the frieze with the celebrants move the files to double from west to east, those to the north, from the right, those in the south, from left to right, toward the ‘entrance on the east end of the temple, where the twelve Olympians preside over the ceremonial folding of the peplum of Athena. On the west frieze of the riders get ready for the ride. One of them, with the cloak to the wind makes it ready to ride horses, breeding, and another is shown fixing her sandal, while his assistant reins restless steed of his master, in a corner of the frieze, an official marshals groups of knights that can be seen to move under their own commanders.
With the exception of the three central figures, the western section of the frieze is still in situ, although in a very decomposed, a large part of that belonging to the sides of northern, southern and eastern Europe and the British Museum, while the rest, with the exception of eight pieces in the Louvre, is in the Acropolis Museum. The sight of this beautiful frieze in the days when it was topped by cornices richly painted under a coffered ceiling decorated with stars and flowers must have been overwhelming. The total number of figures depicted in the frieze is estimated at three hundred and fifty pedestrians and 125 knights, and no two figures are similar.
At the western end of the cell was a masterpiece of Phidias’, the cult statue of Athena Parthenos. The site is clearly seen in the dark oblong limestone in the center of which is a square hole. This has the main prop that supported the towering statue of the virgin goddess, built of gold and ivory on a wooden interior, including the pedestal had 12.80 m. high.
According to Pausanias, the Goddess stood, dressed in a tunic. Her face, hands and feet were of ivory, while the tunic, like armor and accessories, has been designed with removable gold plates, and may be removed in an emergency. To his left was his shield decorated with scenes of battle between Greeks and Amazons on the outside and the Giants and Gods on the inside. Under the shield was a gold serpent representing Erechtheion. On his chest bore the aegis with the Gorgon’s head, and his helmet was adorned with a sphinx between the winged horses, with the griffins in relief on both sides. In the palm of his outstretched hand to the right wearing a Victoria six feet tall wearing a golden crown, a spear in his left hand. Her sandals were decorated with a scene of fighting between the Lapiths and Centaurs, while the pedestal was represented the birth of Pandora.
E ‘was above all the embellishment of the head of the goddess that Phidias lavished all his skill and genius. To increase the brightness of the eyes, hair, and a helmet, took a variety of sparkling gems, whose beauty dazzled the eyes of the beholder. In the morning when the sun has invaded the sanctuary, bathing the statue in his bright rays, one could imagine living goddess Olympus had suddenly fallen, and now stood in front of one.
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Climbing Mt. Everest at 8,840 meters or 29,002 feet may seem easy, but appearances can be deceiving. Even with the best Sherpas, if bad weather hits your trip then you can go from an exciting adventure to a life-saving mission. But whatever said and done climb Everest is not as difficult as K2, which is one of the most challenging peaks in the world. You can feel good about the fact that there are clear paths to reach the Everest base camp and also to climb to the summit. At any time there are 2-3 teams at the Everest base camp and there is plenty of action.
One of the most important factors behind the success of trekking in Nepal is the climbing gear. You need to have proper climbing gear if you are planning to go on a moderately strenuous trek. The top 4 climbing gear for trekking in Nepal are:
Shoes: This is one of the most important rock climbing gear for trekking. These multi-day trekkers and climbers to use shoes that have taken strong and offer protection in various weather conditions. Some of the major producers include La Sportiva hiking boots, Asolo, Merrell, Lowa Boots, Columbia, Boreal, Scarpa, Montrail, and among others.
Crampons: Crampons are necessary for Nepal trekking, especially if it will be trekking on glaciers and ice. Crampons should be attached to hiking boots so they do not slip on ice or snow and get a better grip. Crampon designs have become better in recent years and the best crampons for mountaineering and trekking are the steel. These should be of a fixed horizontal frontpoint with strap-on, step-in binding, or hybrid.
Clothing: the type of clothes you wear for your trekking expedition will determine how safe and secure you will be at different altitudes. It ‘important to wear clothes plywood for a larger percentage, as there will be dramatic changes in temperature. It ‘better to go with a double layer lightweight Gore-Tex. Some of the dresses that must be made for trekking in Nepal are down jacket, waterproof jacket, long underwear, sweater, gloves, wool socks, insulated pants, nylon wind pants and wind pants and hiking.
Face mask: the face mask is an important accessory for mountaineering and trekking. It will protect your face from the sun burns, ultraviolet radiation, and extreme cold that leads to frost bite. The face mask is ideal that has provision for the exchange of heat and ventilation.
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